In electronics, signals are divided into: analog, discrete and digital. To begin with, everything that we feel, see, hear, for the most part, is an analog signal, and what the computer processor sees is a digital signal. It doesn't sound very clear, so let's deal with these definitions and how one type of signal is converted to another.

In the electrical representation, an analog signal, judging by its name, is an analogue of a real value. For example, you feel the temperature of the environment constantly, throughout your life. There are no breaks. At the same time, you feel not only two levels of "hot" and "cold", but an infinite number of sensations that describe this value.

For a person, “cold” can be different, it can be autumn coolness and winter frost, and light frosts, but “cold” is not always a negative temperature, just like “warmth” is not always a positive temperature.

It follows that the analog signal has two features:

1. Continuity in time.

2. The number of signal values ​​tends to infinity, i.e. an analog signal cannot be accurately divided into parts or graduated by dividing the scale into specific sections. Methods of measurement - based on the unit of measurement, and their accuracy depends only on the division of the scale, the smaller it is, the more accurate the measurement.

Discrete signals are signals that are a sequence of reports or measurements of some quantity. Measurements of such signals are not continuous, but periodic.

I'll try to explain. If you have installed a thermometer somewhere, it measures an analog value - this follows from the above. But you, actually following his testimony, receive discrete information. Discrete means separate.

For example, you woke up and found out how many degrees are on the thermometer, the next time you looked at it at noon, and the third time in the evening. You don't know how fast the temperature changed, evenly, or in a sharp jump, you only know the data at that point in time that you observed.

It's a set of levels, like 1 and 0, high and low, yes or no. The depth of reflection of information in digital form is limited by the capacity of the digital device (logic set, microcontroller, processor, etc.). It turns out that it is ideal for storing Boolean data. An example, we can give the following, for storing data of the type "Day" and "Night", 1 bit of information is enough.

Bit- this is the minimum value for representing information in digital form, it can store only two types of values ​​1 (logical one, high level), or 0 (logical zero, low level).

In electronics, a bit of information is represented as a low voltage level (close to 0) and a high voltage level (depending on specific device, often coincides with the supply voltage of a given digital node, typical values ​​are 1.7, 3.3. 5V, 15V).

All intermediate values ​​between the accepted low and high levels are a transition region and may not have a specific value, depending on the circuitry, both the device as a whole and the internal circuitry of the microcontroller (or any other digital device) may have a different transition level, for example, for 5 -tivolt logic, voltage values ​​from 0 to 0.8V can be taken as zero, and from 2V to 5V as unity, while the gap between 0.8 and 2V is an indefinite zone, in fact, with its help, zero is separated from unity.

The more accurate and capacious values ​​you need to store, the more bits you need, let's give an example table with digital display of four values ​​of the time of day:

Night - Morning - Day - Evening

For this we need already 2 bits:

In the general case, analog-to-digital conversion is the process of converting a physical quantity into a digital value. digital value is the set of 1s and 0s accepted by the processing unit.

Such a transformation is necessary for the interaction of digital technology with the environment.

Since the analog electrical signal follows the shape of the input signal, it cannot be written digitally "as is" because it has an infinite number of values. An example is the process of recording sound. It looks like this in its original form:

It is the sum of waves with different frequencies. Which, when expanded in terms of frequencies (for more details, see Fourier transforms), one way or another, can be approximated to a similar picture:

Now try to represent this as a set like "111100101010100", quite difficult, isn't it?

Another example of the need to convert an analog value into a digital one is its measurement: electronic thermometers, voltmeters, ammeters and other measuring instruments interact with analog values.

How does the conversion take place?

First, look at a typical analog-to-digital conversion circuit and vice versa. We will return to it later.

In fact, this is a complex process that consists of two main stages:

1. Signal discretization.

2. Quantization by level.

Signal discretization is the definition of time intervals at which the signal is measured. The shorter these intervals, the more accurate the measurement. The sampling period (T) is the length of time from the beginning of data reading to its end. The sampling rate (f) is the reciprocal of:

After reading the signal, it is processed and stored in memory.

It turns out that during the time that the signal readings are read and processed, it can change, thus, the measured value is distorted. There is such a theorem of Kotelnikov and the following rule follows from it:

The sampling rate must be at least 2 times the frequency of the sampled signal.

This is a screenshot from Wikipedia, with an excerpt from the theorem.

To determine the numerical value, level quantization is necessary. A quantum is a certain range of measured values, averaged to a certain number.

Those. signals ranging from X1 to X2, is conventionally equated to a certain value of Xy. This is reminiscent of the division value of an arrow measuring instrument. When you take readings, you often compare them to the nearest mark on the scale of the instrument.

So with level quantization, the more quants, the more accurate measurements and the more decimal places (hundredths, thousandths, and so on) they can contain.

More precisely, the number of decimal places is rather determined by the ADC bit depth.

The picture shows the process of signal quantization using one bit of information, as I described above, when a high level value is received when a certain limit is exceeded.

On the right, the signal is quantized, and recorded as two bits of data. As you can see, this fragment of the signal is already divided into four values. It turns out that as a result, a smooth analog signal turned into a digital “stepped” signal.

The number of quantization levels is determined by the formula:

Where n is the number of bits, N is the quantization level.

Here is an example of a signal broken into more quanta:

From here it is very clearly seen that the more often the signal values ​​are taken (the higher the sampling rate), the more accurately it is measured.

This picture shows the conversion of an analog signal to digital form, and to the left of the y-axis (vertical axis) is an 8-bit digital record.

Analog to digital converters

ADC or ADC can be implemented as a separate device or be built into .

Previously, microcontrollers, for example, the MCS-51 family, did not contain an ADC, an external microcircuit was used for this, and it became necessary to write a subroutine for processing the values ​​of an external IC.

Now they are in most modern microcontrollers, for example, the AVR AtMEGA328, which is the basis of most popular ones, it is built into the MK itself. On the Arduino language Reading analog data is as easy as using the AnalogRead() command. Although it is not in the microprocessor that is installed in the equally popular Raspberry PI, so not everything is so simple.

Actually there is big number options for analog-to-digital converters, each of which has its own advantages and disadvantages. To describe which within the limits of this article does not make much sense, since this is a large amount of material. Let us consider only the general structure of some of them.

The oldest patented ADC variant is Paul M. Rainey's "Facsimile Telegraph System," U.S. Patent 1,608,527, Filed July 20, 1921, Issued November 30, 1926. This is a 5-bit direct conversion ADC. From the name of the patent, thoughts come that the use of this device was associated with the transmission of data via telegraph.

If we talk about modern direct conversion ADCs, they have the following scheme:

From this it can be seen that the input is a chain, which at their output give a signal when crossing some threshold signal. This is bit depth and quantization. Who is even a little strong in circuitry, saw this obvious fact.

Who is not strong, then the input circuit works like this:

The analog signal is fed to the "+" input, to all at once. The outputs with the designation “-” receive a reference voltage, which is decomposed using a chain of resistors (resistive divider) into a number of reference voltages. For example, the series for this chain looks like this ratio:

Uref=(1/16, 3/16, 5/16, 7/16, 9/16, 11/16, 13/16)*Uref

In parentheses, separated by commas, it is indicated which part of the total reference voltage Uref is fed to the input of each input voltage.

Those. each of the elements has two inputs, when the input voltage is signed «+» exceeds the input voltage with the “-” sign, then a logical unit appears at its output. When the voltage at the positive (non-inverting) input is less than that at the negative (inverting) input, then the output is zero.

The voltage is divided in such a way that the input voltage is divided into the required number of bits. When the input voltage is reached, a signal appears at the output of the corresponding element, the processing circuit outputs the “correct” signal in digital form.

Such a comparator is good for data processing speed, all elements of the input circuit work in parallel, the main delay of this type of ADC is formed from the delay of 1 comparator (they still work in parallel) and the encoder delay.

However, there is a huge disadvantage of parallel circuits - this is the need for a large number of comparators to obtain a high-capacity ADC. To get, for example, 8 digits, you need 2 ^ 8 comparators, and this is as many as 256 pieces. For a ten-bit (in arduino, a 10-bit ADC, by the way, but of a different type), you need 1024 comparators. Judge for yourself about the feasibility of such a processing option, and where it may be needed.

There are other types of ADCs:

    successive approximation;

    delta-sigma ADC.

Conclusion

The conversion of an analog signal into a digital one is necessary for reading parameters from analog sensors. There is a separate type of digital sensors, they are either integrated circuits, for example DS18b20 - its output is already a digital signal and it can be processed by any microcontrollers or microprocessors without the need for an ADC, or an analog sensor on the board on which its converter is already placed. Each type of sensor has its pros and cons, such as noise immunity and measurement error.

Knowledge of the principles of transformation is mandatory for everyone who works with microcontrollers, because not everyone even modern system such converters are built in, you have to use external microcircuits. For example, we can cite such a board, designed specifically for the Raspberry PI GPIO connector, with a precision ADC on the ADS1256.

This type of equipment is quite difficult to attribute to any particular category of equipment. By the way, this is why the converters considered here are very difficult to find in well-known online markets: it is not clear in which product category to search - among capture devices, among tuners or among converters? At the same time, these devices are closest to the category of converters, since their only task is to convert one type of signal to another. And how it will be possible to use the devices is a purely personal matter, and depends on the tasks and skills of the user.

Design and specifications

The converters in question are supplied in the same blister packs, and at first glance they do not differ from each other. Only an inconspicuous inscription-designation of the model will help you figure out which converter is in front of you.

Another thing is the back of the package. Here you don’t need to read anything, just look at the connectors that are visible under the transparent packaging.

The first device, with the model designation ET110, is designed to convert a standard computer RGB signal from a VGA interface (a 15-pin connector, otherwise called D-sub) into a today's standard digital signal routed via an HDMI connector. D-sub video outputs are available in video cards of personal computers, laptops, and other video signal generation devices.

The second converter, ET111, is busy converting the ancient composite signal to digital, which is also output via HDMI port. Absolutely every VCR, game console or video camera of previous generations was supplied with such "tulips".

Finally, the third converter, with the index ET113 (I wonder why not 112?), as can be seen from its connectors, digitizes the YPbPr component signal that goes through ordinary coaxial cables with "tulip" connectors. Such video outputs are available for game consoles, some VCRs and media players, even modern ones.

ET110ET111ET113

The housings of the devices are made of plastic and consist of two halves, firmly linked with latches. In order to find out the location of these latches, we had to pretty much mangle the case of one of the converters. And yet, it was possible to disassemble the devices. Their design turned out to be extremely similar, which is not surprising, given the fact that the main electronic component that digitizes video is the same production chip.

ET110ET111ET113

  • converter firmware hidden in Winbond 25X40 chip (flash memory with serial interface)
  • specialized chip SiI8784 manufactured by , which is an analog video converter to HDMI / MHL with support for video enhancement technology VRS ClearView video enhancement

  • ESMT's AD12250A is a 24bit 96kHz analog stereo audio converter

Our devices are not commonplace adapters with soldered through outputs, they are completely independent devices, the electronics of which work according to active circuit, that is, it requires power. To do this, each of the converters under consideration has one more "tail" - standard USB to be connected to the USB port of the TV or other device. In extreme cases, an ordinary five-volt battery, the so-called powerbank, is also suitable, which are now bred in abundance.

Main specifications converters are shown in the following table:

InterfaceET110ET111ET113
Entrance
FoodUSB 2.0
Video inputD-sub 15 pin VGA cablecomposite ("tulip")component ("tulips")
Audio inputanalog jack 3.5 mmanalog stereo (L/R, tulips)
Input resolution
  • 480i/p
  • 576i/p
  • 1080i/p
Exit
Maximum ResolutionHDMI type A, up to 1080p60 or UXGA (1200x1600)
Other characteristics
Operating temperaturefrom 0 to +40 °C
Availability of indicatorspower indicator
Dimensions102×33×16mm
Weight (with connectors)91 g65 g76 g

This and other information can be seen on.

Connection and operation

From the outside and even more so technical description devices, it becomes completely clear how to connect converters. Nevertheless, here are diagrams of typical applications of apparatuses.

ET110ET111ET113

As you can see, in each of the schemes, the end point is digital tv or a projector. But the question arises: any modern projector or TV - with the rarest exceptions - is necessarily equipped with all video inputs, both digital and various analog ones, including even the "computer" D-sub. Of the information display devices devoid of analog inputs, the author can only remember some highly specialized monitors, like those that are installed on the "shoe" of video cameras or cameras. What prevents the average user from connecting an old VCR or laptop to modern TV directly, through the cables and adapters supplied with the TV? For what reason will he choose to connect through a separate separate device, which, moreover, also supply power?

Per ordinary user we have nothing to say, but with the “unusual” user, everything is not so simple. The specifics of the section " Digital video”, in which this article is published, requires you to remember about capture devices. This is where the real difficulties begin: video capture devices are divided not only into hardware or software, stationary or portable. One of the main distinctive features of any capture device is the type of signal that this device is able to receive and convert. Finding a universal device that has all the necessary inputs and supports all possible video standards is extremely difficult. Especially now, when capture devices are equipped with a single input. And that, of course, is HDMI. Thus, having one HDMI signal capture device and several multi-standard converters that convert any video into digital standard, the user will be able to digitize absolutely any source - a VHS tape recorder or camera, a game console of previous generations, a Blu-ray player or a media player, a laptop, an old personal computer and so on, up to the ultrasound diagnostic apparatus.

But enough theory, I would like to consider those few aspects that are generally possible to study here. And the first of them, the most important, concerns the delay in signal processing and transmission. After all, the converters in question can be used as adapters between a game console and some kind of video signal display device (TV, projector). And what factor is important in the game, for example, in a shooter or racing and other simulators? Of course, the reaction of the player.

We will not play, let a satisfied consumer play, but we will calculate the delay that may be present during signal transmission. The converters in question work according to an active scheme, here any incoming signal undergoes full processing, converting to another standard on the fly. And this, even theoretically, takes time.

To begin with, we will assemble a sort of spontaneous stand for the test. Let's connect a laptop to the TV using its VGA (D-sub) video output, and use the ET110 device as a signal converter. It is according to the same scheme, which is given above in the first example. As a result, the laptop received a second screen, which displays the same information that is displayed on the main display. Now let's start playing a special video on the laptop, which has a frequency of 60 frames per second. Here, in the video, there is a rotating arrow that makes one revolution per second, as well as a rectangle moving along the upper scale, which also runs its way in one second. It remains to film the resulting test bench, and video recording will be conducted at the same frequency of 60 frames per second. Here is the result:

In this video, it is clearly seen that the signal delay is 7 sectors out of 60, that is, about 1/10 of a second. Whether it's a lot or a little, we don't know. game consoles never got involved. However, in the races that were run on big screen from the same laptop through this converter, such a delay was not felt in any way. Perhaps the masters of online shooters will be able to notice some kind of annoying lag, but, frankly, I don’t really believe in it.

The next question, which is also the final one in the study of such simple (but at the same time complex) devices, is the preservation of detail when transcoding a signal. The ET111 device, which digitizes composite video, is useless to study in this regard. There can be no question of any detailing - this ancient standard is too merciless with a video signal, in which both the pixel is not square, and the aspect ratio of the frame is “wrong”, overscan areas that are not visible on “tube” TVs, and even interlacing memorable, which halves the vertical detail. Taking the opportunity, we captured some vintage VHS tapes by connecting an ET111 converter to the composite video output of the tape recorder and passing the signal into a capture device with a single HDMI input. The quality (more precisely, what VHS can provide) turned out to be quite up to par, no worse than during direct viewing from a tape recorder on a TV.

But the other two devices are quite interesting to study from the point of view of detail - are these converters really not cheating with the signal, do not compress it, for example, twice, processing it, and subsequently stretching it to Full HD?

The easiest way to check this assumption is to play a special test video file and then capture the video stream. In the case of the ET110, the laptop will play the file, and the signal is output through its VGA output, passed through the converter, and fed into the capture device. In the second case, the source will be a media player equipped with component video outputs. The test video file contains many lines one pixel thick, which are located at the same distance from each other. The capture results can be seen below.

The different brightness of the frames is explained by the different range of video outputs (the laptop has a "computer" brightness range), and the different clarity is also easy to explain: we remember that the video signal entering the converter undergoes full processing - here they are, the results of this processing, on freeze frames.

conclusions

What are the purposes for which these inexpensive devices, which are full-fledged analog signal converters, are supposed to be used various formats into one digital one, supported by all modern display devices without exception? As already mentioned, they may be required if the TV does not have the required input. Or even in such banal situations as the lack of necessary adapters (one of the author's TVs was received in a limited configuration, as a result of which all its analog inputs were not available due to the lack of special branded adapters).

But still, the option of capturing a video signal that has a variety of standards seems to be more convincing. And even preferable, given the considerable cost of various capture devices. Of course, an ideal output that will suit everyone would be a signal converter similar to one of the ones under consideration, only having three types of input connectors at once - VGA, composite, and component. But such a decision, apparently, is not at all included in the plans of marketers.

Analog to Digital Converters (ADC) are devices designed to convert analog signals to digital. For such a conversion, it is necessary to quantize the analog signal, i.e., limit the instantaneous values ​​of the analog signal to certain levels, called quantization levels.

The ideal quantization characteristic has the form shown in Fig. 3.92.

Quantization is the rounding of an analog value to the nearest quantization level, i.e. the maximum quantization error is ±0.5h (h is the quantization step).

The main characteristics of the ADC include the number of bits, conversion time, non-linearity, etc. The number of bits is the number of bits of the code associated with the analog value that the ADC can produce. Often people talk about the resolution of the ADC, which is determined by the reciprocal of the maximum number of code combinations at the output of the ADC. Thus, a 10-bit ADC has a resolution of (2 10 = 1024) −1, i.e., with an ADC scale corresponding to 10V, the absolute value of the quantization step does not exceed 10mV. Transformation time t p - time interval from the moment given change signal at the input of the ADC until the corresponding stable code appears at its output.

Typical conversion methods are as follows: analog value parallel conversion and serial conversion.

ADC with parallel conversion of the input analog signal

The parallel method compares the input voltage to n reference voltages simultaneously and determines which two reference voltages it lies between. In this case, the result is obtained quickly, but the scheme turns out to be rather complicated.

The principle of operation of the ADC (Fig. 3.93)


With U in = 0, since for all OS the voltage difference (U + - U -)< 0 (U + , U − - напряжения относительно общей точки соответственно неинвертирующего и инвертирующего входа), напряжения на выходе всех ОУ равны −Е пит а на выходах кодирующего преобразователя (КП) Z 0 , Z 1 , Z 2 устанавливаются нули. Если U вх >0.5U, but less than 3 / 2U, only for the lower op-amp (U + - U -) > 0, and only at its output does the voltage + E pit appear, which leads to the appearance of the following signals at the outputs of the CP: Z 0 \u003d 1, Z 2 \u003d Z l \u003d 0. If U in > 3 / 2U, but less than 5 / 2U, then a voltage + E pit appears at the output of the two lower op-amps, which leads to the appearance of code 010 at the outputs of the CP, etc.

Watch an interesting video about the work of the ADC:

ADC with serial input signal conversion

This is a sequential counting ADC, which is called a tracking ADC (Fig. 3.94).
The ADC of this type uses a DAC and an up/down counter, the signal from which provides a change in the voltage at the DAC output. The setting of the circuit is such that the approximate equality of the voltages at the input Uin and at the output of the DAC −U is provided. If the input voltage U in more tension U at the output of the DAC, then the counter is switched to the direct counting mode and the code at its output increases, providing an increase in the voltage at the output of the DAC. At the moment of equality of U in and U, the count stops and the code corresponding to the input voltage is removed from the output of the up/down counter.

The sequential conversion method is also implemented in the ADC time - pulse conversion (ADC with a linearly varying voltage generator (CLAY)).

The principle of operation of the considered ADC fig. 3.95) is based on counting the number of pulses in the time interval during which the linearly changing voltage (LIN), increasing from zero value, reaches the level of the input voltage U input. The following designations are used: SS - comparison circuit, GI - pulse generator, Cl - electronic key, Сч - pulse counter.

Time point t 1 marked in the timing diagram corresponds to the beginning of the measurement of the input voltage, and time point t 2 corresponds to the equality of the input voltage and the CLAY voltage. The measurement error is determined by the time quantization step. The Kl key connects the pulse generator to the counter from the moment the measurement starts until the moment U in and U clays are equal. Through U SC denotes the voltage at the input of the counter.

The counter output code is proportional to the input voltage. One of the disadvantages of this scheme is the low speed.


ADC with double integration

Such an ADC implements the method of sequential conversion of the input signal (Fig. 3.96). The following designations are used: CS - control system, GI - pulse generator, Sch - pulse counter. The principle of operation of the ADC is to determine the ratio of two time intervals, during one of which the input voltage U is integrated by an integrator based on the op-amp (the voltage U and at the output of the integrator changes from zero to the maximum value in absolute value), and during the next - integration of the reference voltage U op (U and varies from the maximum value in absolute value to zero) (Fig. 3.97).

Let the input signal integration time t 1 be constant, then the longer the second time interval t 2 (the time interval during which the reference voltage is integrated), the greater the input voltage. The KZ key is designed to set the integrator to the initial zero state. In the first of the specified time intervals, the key K 1 is closed, the key K 2 is open, and in the second, the time interval, their state is reversed with respect to the specified one. Simultaneously with the closure of the key K 2, the pulses from the pulse generator GI begin to flow through the control circuit of the control system to the counter SC.

The arrival of these pulses ends when the voltage at the output of the integrator is equal to zero.

The voltage at the output of the integrator after the expiration of the time interval t 1 is determined by the expression

U and (t 1) = − (1/RC) t1 ∫ 0 U in dt= − (U in t 1) / (R C)

Using a similar expression for the time interval t 2 , we obtain

t 2 \u003d - (R C / U op) U and (t 1)

Substituting here the expression for U and (t 1), we get t 2 \u003d (U in / U op) t 1 whence U in \u003d U oa t 2 / t 1

The code at the output of the counter determines the value of the input voltage.

One of the main advantages of the ADC of this type is high noise immunity. Random surges in the input voltage, which occur within a short time, have almost no effect on the conversion error. The disadvantage of the ADC is its low speed.

The most common are the ADCs of the microcircuit series 572, 1107, 1138, etc. (Table 3.3)
The table shows that the parallel conversion ADC has the best performance, and the serial conversion ADC has the worst.

We offer you to watch another worthy video about the operation and device of the ADC:

Today we will talk about how to quickly and accurately digitize old video cassettes using a computer, camcorder or other do-it-yourself equipment at home. We will also consider simple techniques for self-digitizing audio and video recordings or how to convert an analog signal into digital

Over the past period, the owners of video systems have accumulated great amount archives. Of course, if we are talking about films or TV shows, then they can be found on actual media, but not everything can be found. For this reason, many people continue to keep an old video player, which is used to watch "tape rarities."


Magnetic tape, unfortunately, is short-lived: it gets old, the magnetic layer collapses over time, the recording first loses its quality, and then is not suitable for viewing at all. If you do not give due importance to this, one day it will turn out that the unique wedding ceremony, filmed on cassette and carefully stored in the allotted place so that it can be viewed with trepidation on the next anniversary of your own wedding, is hopelessly damaged

As VCRs slowly fall into disuse, giving way to DVD and Blu-ray players, you want to be able to watch home videos with a player.

In addition, there is an opinion that film cassettes cannot store lossless video for a long time; over time, the recording quality inevitably begins to deteriorate. Any dubbing also degrades the quality of analog video. But a film that has been digitized can be rewritten many times without loss of quality.



If home analog video is digitized, it can be edited, cut out bad moments, overlay music, titles, etc., and the resulting film after processing can be converted into any convenient format and stored on any digital storage medium (hard drive, CD, DVD, Blu -ray disk, flash drive).

Detailed video instruction:

YouTube video


What you need to digitize VHS tapes:

Video recorder.

Conversion device analog information into digital.

Computer or laptop.

Capture program.

Well, with a VCR and a computer, everything is clear. All video editing programs since MovieMaker have capture functions, so there are no problems with the capture program.

Consider options for possible devices for converting an analog signal into a digital one.

Firstly, it is a video capture board or card - ADC (analogue-to-digital converter). On one side, the card is connected to a VCR via composite and S-Video inputs, and on the other side, to a computer via USB.
Secondly, a TV tuner, which, in addition to displaying television programs on a computer, can digitize video.


Thirdly, some camcorders (usually miniDV) that have a DV input in addition to a DV output can digitize analog video. In this case, the camera is connected between the VCR and the computer, and it directly digitizes (without recording on its cassette).

Fourthly, there are special VHS converters that replace the VCR and the capture board at once:

The basic requirements are a computer, camcorder or VCR that can play old video cassettes. A DVD burner to burn the finished video to DVD.
Digitizing a video cassette is actually very simple, and if you have at least a little knowledge (at the level of how to connect equipment), then you can easily do it yourself.
However, digitization will require you to have special equipment that you will need to purchase.


First you need to find a VCR. A video player is fine too. Before inserting a cassette and pressing "PLAY", clean the tape drive. Do not use cleaning cassettes, they will not help, since the VCR has most likely not been used for a long time. To clean the inside of the VCR WELL, unscrew the screws that hold the cover and remove it (the cover). To clean the video head, it is better to use special products. Alcohol is advised not to use, but if there is nothing else at hand, then it will do. Moisten the ear bud with the video head cleaner and use light pressure to wipe the video head several times. Then, without waiting for the product to evaporate, wipe the video head with a special suede for cleaning glasses. Don't forget to wipe down the pinch roller too.


To connect a VCR to a video capture card or external USB video capture device you will need such a wire, it is called "RCA video" or in common people "tulip". Be sure to match the signal when connecting the cable. That is, we connect the yellow plug to the yellow video output, and connect its other end to the yellow video input on the card (USB device). Do the same with the white and red plugs. If you mix it up, nothing will burn, it just won't work.


We connect the cable to the video outputs on the rear panel of the tape recorder (sometimes the tape recorder has a video and audio output on the front panel). They are usually labeled "video out" and "audio out". We connect yellow "tulip" to "video out", red to the right channel of the audio signal (marked "R" on the tape recorder) and white to the left channel of the audio signal (marked "L" on the tape recorder). And not because it is necessary, it is accepted. Don't be alarmed if one of the audio channels on the back of your tape recorder is missing. Just your tape recorder "mono". So you only need to connect the left (white) audio channel. Leave the right one "hanging in the air". The photo just shows a "mono" VCR.


Look at the system unit from the back. The place where the cable from the monitor comes is your video card. If you see on it, three multi-colored (red, white and yellow) connectors, then you have a video card with RCA. This is an ordinary cable for connecting a VCR or camcorder directly to the equipment, and you probably have it. Some video cards do not have a yellow RCA connector (video) and instead have an S-Video connector. To connect to such a video card, you will need an S-Video adapter from RCA to S-Video or a ready-made S-Video and RCA audio cable.

There are video cards where only S-Video is present. We connect a video signal to such a video card via S-Video, and we connect the sound from a tape recorder or camera through a computer sound card. Some video cards only have S-Video output (not to be confused with video input). That is, such a video card can only transmit a signal, for example, to a TV. You need to study the instructions for the video card. The above method is quite complicated, if you do not have enough experience, then it is better not to take it. You won't get anything but a headache. Therefore, the best option is to digitize the video cassette through a video capture card or a USB video capture device. The last way for beginners will be the most preferable.


One of simple ways is to purchase a video capture card and connect your camcorder or VCR to your computer through it. The complexity of this method lies in the fact that it is necessary to open the system unit and insert the video capture card into a free computer slot on the motherboard. And then install the drivers for the video capture card. If you do not have knowledge in this area, take the system unit to the service center and everything will be done for you for an additional fee. Prices for video capture cards fluctuate within a few thousand rubles (for professional video cards, the prices are much higher and they require certain skills in working with the relevant programs). This method still has limitations (you need to install a card, additionally download capture programs, etc.).


The easiest way to digitize videocassettes is to buy a USB video capture device. There are enough of them on the market.
You buy such a device, insert it into a free USB port on your computer, and follow the instructions to digitize the video archive. Prices for USB video capture devices start from a thousand rubles. You can find such a device on the Internet by typing the phrase "usb video capture" in the search bar "Yandex" or "google". Everything is so simple that it makes no sense to describe the process in this article. I bought it, connected it, installed the drivers from the disk, connected the VCR and recorded it.


Pay attention to the products of Pinnacle, MAGIX. With a high degree of probability, in the box with such a device there will be a disk with software for capturing video, simple editing and burning digitized video to DVD. Therefore, you will not need to search the Internet for programs for capturing, compressing, editing and burning video to DVD.

Well, one of the preferred and relatively expensive solutions for digitizing videotapes at home. Products of the Japanese company Grass Valley (formerly Canopus). ADVC 55 and ADVC 110. Both devices connect to the computer via a FireWare (IEEE 1394) port. The port connector can be four or six pin. Four-pin connectors are usually placed on laptops, and six-pin connectors on ordinary computers. They can be located both on the front system block, and from its back side, in the same place as all other connectors (USB, sound, etc., depending on the motherboard). A six-pin cable connector is connected to the ADVC 55, any one can be connected to the ADVC 110. The connections are clearly visible in the pictures.


The ADVC 55 can only digitize an analog VCR signal to your computer.
The ADVC 110 is a bi-directional converter, meaning it can either digitize a video signal to a computer or convert a digital signal to analog and transfer it to your tape recorder for recording. When using ADVC 110 there is no desynchronization of video and audio.
Both devices work without drivers. When connected via a six-pin FireWare cable, you can not use the power supply. To digitize old cassettes, it is still preferable to use the ADVC 110.

Software required for digitizing videocassettes
In combination with additional equipment, you will also need a special software to capture, compress and edit video on a computer.


There are a lot of such programs. From free and freely distributed, to paid ones. There is no need to list them. Dig around on the Internet, you will find a description of how to use them and the programs themselves;). For example, to capture video, you can use WinDV (a wonderful microscopic program a little less than forty kilobytes in size!), To compress the good old Canopus Pro Coder, or the constantly evolving Adobe Media Encoder. If you need to burn video to DVD, use DVD Lab Pro (note that for DVD video you need to compress to mpeg2 format)


If you're into digitizing, you'll need a lot of hard drive space. Uncompressed video takes approximately 10-14 gigabytes per hour of material on the hard drive. Take this into account when digitizing.
Working with such big files means you need powerful computer. For comfortable editing of your videos, the frequency of the processor and its modification is crucial. So, the latest Intel ivy bridge processors include a technology that allows several times to reduce the time for rendering the final material.

What is bitrate? Video bitrate is the amount of information transmitted per second. It follows from this that the higher the video bitrate, the better it is, the clearer the picture, the fewer artifacts, etc. And the more hard disk space you need to store this video and, accordingly, more time to transfer over the network.
DVD capacity
When digitizing or "compressing" higher quality video for DVD, you need to consider the capacity DVD discs. As you already know, there are DVD discs with a capacity of 4700 megabytes (or 4.7 gigabytes) and 8500 megabytes (8.5 gigabytes). The 9400 megabyte (9.4 gigabyte) discs should be mentioned, but they are double-sided, not dual-layer. When using such a disc, you will need to pull out the DVD and turn it over to the other side, and this is not very convenient. And the price of such disks is high. It's easier to use two 4.7 GB disks. It is from these parameters that you should build on when digitizing video for DVD. Plus, you need to decide if you need a menu on a DVD. If yes, then we subtract about 300 megabytes from the quality of the picture.


Video duration
So, the DVD capacity was chosen. Now we look at the time of the video material that needs to be digitized. It is worth noting that a video lasting more than two hours still should not be recorded on a DVD with a capacity of 4.7 gigabytes. If you wish, of course you can, but the quality of the picture will suffer greatly. Especially "home video".


In general, on a DVD of 4.7 gigabytes, home video is better to record an hour of video material. This is due to the fact that in "home video" there are a lot of dynamics, not dynamics in the frame, but a sharp and constant movement (trembling) of the video camera, which has a very bad effect on the "squeezing" of the video material.

Fixed or variable bitrate
Constant bitrate is when the encoder program compresses the video material with the same bitrate throughout the entire video. On a 4.7 GB DVD, the constant bitrate for a two-hour video will be 4500-4700 kb/s (kilobits per second).

Variable bitrate is when the encoder program compresses video material with different bitrates. For example, did you shoot on a tripod or in source material there are static objects (walls, mountains, roads, a picture hanging on the wall, a flower on the windowsill, a spoon on the table). If these objects do not move in the frame, then these objects are digitized with a low bitrate, and with a higher bitrate, the program digitizes moving objects, that is, where quality is needed. From experience, if you set the bitrate from 4700 to 8000, then the program is "afraid" to set a high bitrate when digitizing, slightly reducing the image quality. Variable bitrate digitization allows you to find a compromise between the quality and size of the final material. The most ideal variant of digitization is digitization with variable bitrate in two passes.


One or two passes
Some encoder programs, when digitizing with a variable bitrate, allow you to select the number of passes. It takes twice as long, but the result is worth it. What is it for. During the first pass, the encoder program analyzes the video material, "marking" areas where to increase or vice versa, to decrease the bitrate. With this method of digitizing, the program digitizes the video material with the highest possible quality.

Bitrate selection
Here it is necessary to choose between quality and size. The dry numbers are:
DVD 4.7 gigabytes - 2 hours of material bitrate 4500-4700, medium quality.
DVD 4.7 gigabytes - 1 hour of material bitrate 8900, high quality.

You should not choose the maximum possible bitrate for a DVD disc (9200), some DVD players start to "stutter" when playing discs with such a bitrate. The best option is 8900-9000.

Program encoders
Perhaps the benchmark in this area is the paid Canopus ProCoder. Ease of use, coupled with great features and the highest quality - this is our choice. Another recommendation is Adobe Media Encoder. Of the free ones, iWisoft Free can be advised Video Converter, XMedia Recode.
In fact, the list of programs is very extensive and rummaging through the search engines, find the option that suits you.


The requirement for the system as a whole is a mandatory UPS package (source uninterruptible power supply). Its power should be enough to properly shut down the system. Note that video cassette digitization at home will be of higher quality if the UPS can supply power to the PC until the procedure is completed (about half an hour). However, this solution can be called unreasonably expensive in many cases. All other parameters of a personal computer directly depend on the chosen digitization methods. There are several of them, they are based on hardware and software components.

The next obligatory item is the use of a high-quality video player or VCR with working mechanics, as well as clean heads. If your video cassette capture device does not meet the requirements, please select another option. Half the success here depends on the reliability of the signal source. There are no other requirements for digitizing videotapes at home, a low-frequency output, a cleaning videocassette and a good cable are enough.

Using a TV tuner to digitize video cassettes is perhaps the most affordable solution. Such a device must have a PCIe or PCI interface. We also emphasize that any tuner for digitizing videotapes can be purchased without paying much attention to the cost. The main thing is the presence of a low-frequency input for connecting your VCR. However, you need to take care of the software part. Special Program iuVCR can provide a resolution of 768 by 576 pixels for digitizing video tapes. This approach will subsequently allow you to convert the video material to a DVD format with a resolution of 720 by 576 pixels without loss.


If you do not have a VCR adapter and TV tuner and are currently planning to purchase one, please note that iuVCR works best with dedicated cards based on the Conexant BT848 or BT878 chip. On the advantages and disadvantages of the video editing board Next, let's consider a less budget solution, which, however, allows you to get a higher video quality. We will talk about the use of a specialized video editing board (video capture). Such modules are available in USB and PCI versions. Solutions from Pinnacle Systems have proven themselves well, among which the Dazzle and Studio MovieBoard series deserve special attention.


A feature of these devices is that they come with special software that provides video capture and does not require additional user actions. However, the price of such a kit is considerable, so in the future you will have to think about what you are going to do with the equipment after completing the process of digitizing your own video archive. Portable approach If you are planning to digitize videotapes on a laptop or are unable to PCI card in desktop computer, AVerMedia DVD EZMaker 7 can be a good solution. Well, what can I say? A very interesting device, given its miniature size, USB interface, as well as a huge set of connectors for connecting a video player.


Incredibly convenient if you have to do digitization outside the home, for example, at a party, with friends or relatives. Digital video recorder - the most unpretentious option This decision suitable for those who do not have the desire or ability to understand complex computer technology. In this case, you can use a digital video recorder. Using such a device, you can rewrite data from a video cassette without much difficulty: connect the output of a traditional cassette video recorder to the input of a digital one, insert it into the latter DVD disc and start copying. Subsequently, the result can be easily transferred to a computer for further processing.

The main disadvantage of the described method is that it is suitable only for those who do not particularly care about image quality. What to do next with rewritten videos?


AT individual cases you will have to do some serious editing: adjust colors, apply transitions and other effects. Separate processes include video editing (if necessary), work on sound (cleaning, volume leveling) and subtitles. Upon completion of such a painstaking task, you need to transcode the video into the format you need and save it on DVD. To do this, you will need a large number of various software, and in a wide range.


Set necessary programs depends on your preferences, finances and hardware. For each type of processing of the source video material, special programs are required. If you want video editing to become part of your profession, actively engage in the study of this topic, using only specialized literature. Instead of an afterword Before making a decision regarding the digitization of your own video library, carefully consider your own options. This is a necessary and important matter, however, in essence, it is one-time.

If you do not intend to turn it into additional income, consider its future fate when buying equipment. When your archives are not too large, are of good quality, and there is no need to carry out their serious restoration, it is more profitable to seek help from specialists who can be found in any company that is ready to do all the necessary work. It is cheaper and easier than learning a new profession, as well as finding unique equipment. Although... working with video is always incredibly exciting.


Digitization of videocassettes at home with good quality! It used to be very difficult. To "overtake" a video cassette to DVD, one had to have a fairly powerful computer, a special video capture card (which was far from being set up the first time), then it was necessary to connect everything correctly and only after that it was possible to enter the video from the cassette into a computer with the possibility of further recording to disk. Now everything has become much easier, cheaper and more accessible, because USB device EasyCap.


With this little miracle of technology at your disposal, you can easily connect a VCR to your computer and digitize video cassettes at home in a relaxed atmosphere, without resorting to third-party specialists.

Specifications:

· Includes professional and easy to learn and use software: Ulead video studio 8.0 SE DVD.

· USB interface 2.0

Capture video and sound

Control brightness, contrast, saturation and color

small size


Allows you to capture audio without a sound card

Plug&Play

· Supports all formats: recording DVD+/-R/RW, DVD+/-VR, and DVD-Video.

Can be used for video conferencing

· Conforms to the USB 2.0 specification.

· Support NTSC, PAL, Video format.

· Video input: one composite RCA, one S-Video.

Audio input: stereo sound 2 RCA

· Dimensions: 88mm*28mm*18mm.

Supported resolution: NTSC: 720* [email protected] PAL: 720* [email protected]

System requirements:

· Free USB port 2.0

Windows 2000/XP/Vista32bit

CPU Pentium Ⅲ 800

· 600MB free disk space for software installation

· 4GB or more free disk space for video capture and editing.

· Memory: 256MB RAM.

· Display: at least 1024*768.

· Sound card

Contents of delivery:

1 x EasyCAP USB 2.0 video audio video capture adapter

1 x USB cable

1 x CD-ROM (Software)

Another interesting application for an EasyCap device, capture an image from a Webcam. So the computer turns into a video surveillance device. This very inexpensive solution can be used for personal home or professional purposes.

In conclusion, I would like to say that buying an EasyCap device is advisable if you are going to digitize more than 5 VHS video cassettes. If your video archive is smaller, it will be cheaper to order video dubbing to DVD at a photo center.

DAC - digital-to-analog converter- needed to convert an audio signal from digital to analog; usually for transmission to an amplifier or immediate scoring.

All modern audio recording formats use a digital representation. And tracks on CD or blu-ray discs, and mp3 files, and music from iTunes - they are all stored in digital format. And in order to play this record, it must be converted to an analog signal - this function is performed by a digital-to-analog converter. The built-in DAC is present in any device that plays music. But it often happens that the quality of playing the same audio files (or tracks from the same disc) on different players differs markedly. If the same amplifiers and headphones are used, then the problem is in the player's DAC.

DACs are different: cheap low-power converters (often used by manufacturers in mobile devices) have low speed and low bit depth, which greatly affects the sound quality.

If your mobile device has a digital output (S / PDIF or USB), you can connect an external DAC to it - this guarantees high quality digital-to-analog audio conversion.

In addition, an external DAC can be very useful when listening to music recorded in loseless formats (lossless audio recording formats) with high sampling, providing maximum similarity between the recording and the original. Since such recordings are distributed mainly via the Internet, they are often listened to directly from a computer. But a high-quality sound card is rarely found on laptops and tablets, and built-in motherboard desktop computer sound cards are not of high quality. And in this case, the whole point of listening to loseless music is completely lost. The situation can be corrected if the computer has a digital audio output, such as S/PDIF. By connecting to it a DAC with a sampling frequency and bit depth not less than that of the recording being listened to, you can get a high quality analog signal.

Another nice bonus can be obtained by purchasing a Bluetooth-enabled DAC. This will allow you to listen to great music on the speakers connected to the converter, without being "tied" to it by wires. For mobile computer(tablet or laptop) this can be very convenient. In addition, with such a converter, you can play music from other Bluetooth-enabled devices and easily switch between them.

ADC - analog-to-digital converter- is needed, on the contrary, to convert an analog audio signal into a digital format. The ADC will be indispensable for digitizing (digitizing) old analog recordings: on gramophone records, audio and video cassettes. You will also need an ADC when recording digitally "live" sound from a microphone. Players with a recording function and computer sound cards have a built-in ADC, but if the quality of digitization is important to you, it is better to entrust this task to a specialized device.

Despite the completely opposite tasks, ADC and DAC have some general characteristics, which have a great influence on the quality of the conversion.

Characteristics of audio signal converters.

For ADC sampling frequency determines the frequency with which the converter will measure the amplitude of the analog signal and transmit it in digital form. For a DAC, on the contrary, with what frequency digital data will be converted into an analog signal.

The higher the sampling rate, the closer the conversion result is to the original signal. It would seem that the higher this indicator, the better. But, according to the Kotelnikov theorem, to transmit a signal of any frequency, a sampling frequency that is twice the frequency of the signal itself is sufficient. Considering that the highest audible frequency is 20 kHz (for most people, the upper limit of audible sound generally lies in the region of 15-18 kHz), a sampling rate of 40 kHz should be sufficient for high-quality digitization of any sound. Audio CD sampling rate: 44.1 kHz, and maximum frequency sampling mp-3 files: 48 kHz, chosen just based on this criterion. Accordingly, a DAC playing audio tracks and mp3 files must have a sampling rate of at least 48 kHz, otherwise the sound will be distorted.

Theoretically, such a sampling frequency should be sufficient, but in practice sometimes there is a need for a higher frequency: the real audio signal does not fully meet the requirements of the Kotelnikov theorem even when certain conditions the signal may be distorted. Therefore, recordings with a sampling frequency of 96 kHz are popular among connoisseurs of pure sound.

The sampling rate of the DAC is higher than that of source file, does not affect sound quality, so purchasing a DAC with a sampling rate above 48 kHz makes sense only if you intend to listen to blu-ray and DVD audio with it, or loseless music with a sampling frequency greater than 48 kHz.

If you are firmly committed to purchasing a converter with a sampling frequency above 48 kHz, then you should not save on the purchase. A DAC, like any other audio device, adds its own noise to the signal. In inexpensive models, the noise can be quite high, and given the high sampling rate, ultrasonic noise dangerous for speakers may appear at the output of such a converter. And in the audible range, the noise can be so high that it will overshadow all the gain from upsampling.

Bit depth- the second characteristic that directly affects the quality of the conversion.

The bit depth of the DAC must match the bit depth of the audio file. If the bit depth of the DAC is lower, it will most likely simply not be able to convert this file.

Audio CD tracks are 16 bits wide. This implies 65536 gradations of amplitude - in most cases this is enough. But theoretically, under ideal conditions, the human ear is capable of providing greater resolution. And if the difference between 96 kHz and 48 kHz recordings can be argued, then many people with good hearing can distinguish 16-bit sound from 24-bit in the absence of background noise. Therefore, if the DAC is supposed to be used to listen to DVD and Blu-ray audio, you should choose a model with a 24-bit resolution.

The higher the bit depth of the ADC, the more accurately the amplitude of the audio signal is measured.

When choosing an ADC, one should proceed from what tasks it is supposed to solve with its help: to digitize "noisy" audio recordings from old tapes, a high bit depth of the ADC is not needed. If you are planning to get high-quality digital recording from a studio microphone, it makes sense to use a 24-bit ADC.

Number of channels determines what sound the device will be able to convert. A two-channel converter will be able to process stereo and mono sound. But to convert a Dolby Digital or Dolby TrueHD signal, you need a six- or eight-channel converter, respectively.

Signal to noise ratio determines the level of noise added to the signal by the converter. The higher this value, the purer the signal passing through the converter remains. For listening to music, it is undesirable for this figure to be below 75 dB. Hi-Fi equipment provides a minimum of 90 dB, and high-quality Hi-End devices are capable of providing a signal-to-noise ratio of 110-120 dB and higher.

The DAC must have a digital input– it can be S/PDIF, USB or Bluetooth. Exit the DAC has an analog one - “jack” (jack) or “tulips” (RCA). The ADC is the opposite - an analog input and a digital output. It is good if the converter has several different inputs and outputs - this expands the possibilities for connecting to it various devices. If there is only one input on the converter, make sure that there is a similar output on the device to which it is supposed to be connected.

Audio signal converters are more related to studio and home equipment, so food most converters are made from a 220V network. But there are also converters that are powered by batteries and can be used autonomously. This may be useful when using a converter with mobile device- laptop, tablet, smartphone or player.

Some transducers are powered by the micro-USB connector, but cannot receive (or transmit) audio through this connector. If it is important to you that the DAC be able to read audio files on USB media, make sure that the USB on the device is used for more than just power before purchasing.

Choice options.

If you need a device that can digitize old tape recordings or record sound from a microphone on your computer, you need an analog-to-digital converter. Their prices start from 1100 rubles.

If you want to get a device for high-quality playback of audio files from a smartphone with the ability to wireless connection, choose from a Bluetooth-enabled DAC. Such a device will cost you 1400-1800 rubles.

If you want to hear the full richness of sound recorded in loseless format with a high sampling rate and 24 bits, you will need an appropriate DAC. It will cost from 1700 rubles.